Mount Mary University Digital Collections

Browse Items (2489 total)

  • B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat.
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  • Beige silk jersey dance dress; round neckline; sleeveless; waist yoke; braided jersey rope around waist; back identical to front with hook and eye closure; pleated jersey skirt; weight of hem has pulled on fabric; Grecian inspired.
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  • A. Gray wool tweed tunic; fabric is woven with thin black warp and thicker brown weft with small, randomized flecks of red, green, blue, and yellow; contrast fabric is colorful large-scale plaid woven cotton; rounded bertha style collar in contrast fabric with six lines of smocking; long raglan sleeves; flared cuffs with three black spherical button closures; this same button closure is on the back collar as well as a center back zipper closure; 24.5 inch slit down side seams; colorful plaid contrast fabric runs along hem, side seams, armscyes and cuffs in .5 inch wide strips; mid-calf length; label: "KOOS Koos Van Den Akker, New York". B. Multicolored large-scale plaid cotton skirt; dirndl style; three contrasting trims; first, a white, gray, and magenta dot print forming diamonds that runs horizontally around the hip, knee, and 1.5 inches above the hem; second, a faded pastel floral print running horizontally below the knee; third, purple, blue, turquoise, and gray woven twill running along hem; elastic at waistline; welt pockets along side seams; mid-calf length.

    Note how the slits in the tunic perfectly line up with the pockets on the skirt underneath.

    From Koos Van Den Akker's Fall 1980 collection.
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  • A. Pink cashmere bolero jacket; short sleeves; bound in pink satin with floral beaded trim. B. Pink cotton piqué blouse; sleeveless; princess seaming; mock placket with buttons; half-belt. C. Pink cotton piqué skirt; slim; front seaming with inseam pockets; 2 back zipper closures set into seaming.

    Worn by Florence Eiseman.
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  • A. Pink cashmere bolero jacket; short sleeves; bound in pink satin with floral beaded trim. B. Pink cotton piqué blouse; sleeveless; princess seaming; mock placket with buttons; half-belt. C. Pink cotton piqué skirt; slim; front seaming with inseam pockets; 2 back zipper closures set into seaming.

    Worn by Florence Eiseman.
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  • Aqua ombré silk chiffon evening gown; unfinished; gathered neckline edged in chiffon; long kimono sleeves with gussets; center front opening; ankle length.
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  • A. Navy linen box jacket; patch pockets at hips; convertible collar. B. Navy linen skirt; dirndl style; mock wrap. C. Navy and white striped cotton blouse; flip ties at neck; short sleeves. Missing a button.
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  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
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  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
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  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
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  • Detail of coat to show tab with gold button closures.
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  • Detail of suit jacket to show lining and skirt.
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  • Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.

    This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe.

  • Black velvet cocktail dress; jewel neckline; long sleeves; black beaded decoration around hips; two layers of black fringe make up skirt; knee length; lined; center back zipper closure.

    From Oscar de la Renta's Fall/Winter 1991/1992 Collection. According to an email from the donor: "The dress I donated was an original one [Oscar de la Renta] made for his Fashion Show, a sample piece which he later gave me after I was able to wear it to a black tie event in New York. My husband worked with him on a fragrance."
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  • A. Pink wool bouclé coat; leather convertible collar; center front gold metal button closures; long straight, set-in sleeves; leather cuffs; leather piping along edges; two large parabola pockets at either side of lower center front; slits in sides; above the knee length.
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  • A. Black silk organza and lace cocktail dress; sweetheart neckline; sleeveless; contour darts at waist; center back zipper closure; lace at bodice center front over shoulders to waist to mid-skirt; organza horizontally tucked to mid-skirt, untucked below lace at mid-skirt; lined in tan ninon; ballerina length. B. Beige silk taffeta slip; spaghetti straps; boned; center back zipper closure; ballerina length.
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  • B. Off-white silk half slip; pencil silhouette; elastic waistline; center back zipper closure with one hook and eye; slit up center back.

    Worn with dinner dress (Object ID #2005.13.17.a).
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  • Gunmetal gray silk ensemble. A. Blouse; jewel neckline; sleeveless; vertical pleats; covered buttons down back under placket; lined in light gray taffeta; hip length. B. Skirt; straight silhouette; cut on bias; straight waistband; zipper closure; above the knee length.

    Made by Mount Mary Fashion student Donna Ricco in Sister Aloyse Hessburg's class in 1981.
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  • Navy blue and white plaid wool suit. C. Slacks; raised waistline; tapered legs. Worn with jacket (Object ID #1999.276.a). With the skirt (Object ID #1999.276.b) these pieces form a three piece ensemble, though not all three pieces would be worn simultaneously.
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  • Olive green silk taffeta ensemble with white and khaki colored polka dots. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. D. Belt; made of bias tubing.
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